![]() ![]() The album Life-Live was assembled from those dates and also featured several performances at the same venue from 1981 featuring White, offering a complete history of the group's studio guitarists. As tapes rolled during a set of triumphant dates at London's Hammersmith Odeon, Lynott paid tribute to Thin Lizzy's pioneering sound by having five guitarists take the stage: Gorham, Sykes and guest appearances by Robertson, Moore and Eric Bell, the group's first guitarist from 1969 to 1973. When Lynott decided to end the band after 12th album Thunder and Lightning and a subsequent tour, hard rock guitarist John Sykes (later a member of Whitesnake) was heading up the axes alongside Gorman. Drummer Downey sat a few tours out, Darren Wharton was added as a keyboardist in 1980, and Robertson's acrimonious departure immediately after the release of the live record meant a revolving door of guitarists, including Gary Moore (who'd played with the group in the early '70s) and Snowy White. Thin Lizzy continued to enjoy success in the wake of Live and Dangerous, but the band line-up was ever changing. They're packed in a 12" x 12" box with a new booklet featuring rare photos, memorabilia and liner notes that include new band interviews by journalist Mark Blake. They've been newly mixed from the original multitracks by Ben Findlay and remastered by Andy Pearce, all under the guidance of Gorham. The new Live and Dangerous box set attempts to put this issue to bed: the 8CD set will feature the originally-assembled album next to all seven shows that were used for the album. Visconti maintained that most of the record, save for the rhythm tracks, were recreated in the studio the band has come to deny this, stating that re-recording was minimal and done only when necessary. charts, the LP has been dogged for nearly 45 years by conflicting claims of overdubbing. Live and Dangerous spotlighted a few great things the band did not achieve on record, notably a common practice of segueing "Back in Town" into "Cowboy Song," and a more dramatic, slower arrangement of "Still in Love with You." While it was a massive success upon release, peaking at No. The '80s would be good to this "Bluesy" Huey Lewis.) (On one of those dates, the group was joined on "Baby Drives Me Crazy," which often came near the close of those sets, by a then-unknown American musician who spent the early part of the decade busking his way around Europe and learning blues harmonica. ![]() With a limited schedule, Visconti encouraged the group to assemble a live record from some 30 hours of tapes, selecting performances from dates in London, Philadelphia and Toronto. The album came out of necessity: the band began 1978 soliciting Tony Visconti, who'd produced their breakout Bad Reputation. Lynott's astute songwriting and the twin-guitar attack of Brian Robertson and Scott Gorham made a powerful combination, rounded out by the rhythmic force of drummer Brian Downey. label UMC will truly show fans how with an expanded box set and sought after CD reissue of the two live albums they released during the lifetime of frontman/bassist Phil Lynott.ฤก978's Live and Dangerous was the culmination of two years of life on the road in the wake of Thin Lizzy becoming international superstars with "The Boys Are Back in Town" in 1976. For all the great songs Thin Lizzy cut in the studio like "The Boys Are Back in Town," "Jailbreak," "Dancing in the Moonlight," "Waiting for An Alibi" and "Killer on the Loose," the Irish rockers really did shine as a live unit. ![]()
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